You could say that, at one point in my life, I was a pretty big Gleek. I can’t help it; the show has appeal. It’s like High School Musical, but with songs I already know, sung by mostly good self-deprecating teenagers and also, it has Jane Lynch. Glee has been on hiatus for months now, and will be until April, so in some weird, desperate need to get a fix, I started watching reruns. And as I watched it again, I stood by as what seemed to be the most promising show in television today crumbled right before my very eyes.

To say that Glee is a terrible show is unfair, because it does have its merits. But Glee capitalizes on the knowledge that their songs are catchy and their leads, attractive. The ensemble cast is funny enough, the milieu is safe enough (Come on, who doesn’t like a good coming-of-age setting?), and the song choices are also pretty palatable to the ear. The show is so complacent in its obvious appeal that it neglects real and solid character and plot development. The characters are caricatures that exist only to sing and make jokes, and to sometimes add in a few minor plot points, some of which seem to have no bearing, at all, to the general, encompassing story, and are not even referenced again.

The characters are vague and stereotypical, it’s easy to write in whatever sort of personality to them, making it convenient for the writers to put in whatever sort of tension that they need to keep things interesting. In “Mash-Up,” the show introduces the Rachel/Puck angle… and abandons it, completely. It makes you root for Will and Emma, because Emma is likable and Will’s conniving wife, Terry, is her complete foil and has no redeeming qualities to her, whatsoever.

This wouldn’t be such a problem, since good, well-sung songs and humor seem like sound qualities to build a show on. But because it seems that Glee is trying to make a connection with the actual, alienated teenagers that they try to portray. These characters exist for the audience to be able to relate to them. But the problem is that there is no consistency to their characters and the things that they do. The third episode, “Acafellas,” which aired prior to Kurt’s coming out to his father in “Preggers,” shows us that his father disapproves of his homosexuality (he took away his car!), but we see them bonding the episode after, and beyond, particularly in epsiode 8, “Wheels.” Jane Lynch’s character, Sue Sylvester, is portrayed as a jerkface but humanizes her in the same episode by giving her a sister with Down syndrome, and then the show steals back the humanity almost instantaneously when Sue sabotages the Glee club by leaking their set list to their competitors in “Hairography,” just because she can.

Glee is funny, and I really do admire this kind of humor, having been a fan of creator, Ryan Murphy’s previous teen-oriented series, Popular. But it seems like the show often overshoots and misses the mark. Buried in the songs and the jokes are “heartfelt” and “touching” scenes end up seeming like affectations. It seems like the show’s creators know where they want the show to go, but add so much extraneous details that cause it to look overworked, uninspired and just messy. They tackle issues such as premarital sex, disabilities, popularity and infidelity, but they take them so very lightly. These issues are usually approached humorously, and it is unnerving because there is a certain disconnect, with what it seems they are trying to do — which is communicate and connect with their audience.

There is also very little extended narrative, and it bases the progression of the story on what would likely be the most well-received stories. As if to say, “Never mind the already established relationships and backstories, we give the audience what they want.” And it’s just so messy. It feels, to me, that the awards that Glee has won are premature. There is a lot of space for Glee to grow, and I do think that it has potential, but I don’t think they deserve their awards just yet.

I’m still going to be watching, because I’m a sucker for musicals (and Lea Michele is fantastic as Rachel Berry). Hopefully things will turn up, by the time the show starts up again, because I genuinely think that Glee could be much, much better than what it is now.

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And this scene from Community‘s 18th episode, “Basic Genealogy,” just because it’s funny and timely:

capped by JP del Mundo

Pierce: It’s okay, it’s okay. Let it out.
Jeff: We always used to watch the shows she wanted to watch. I hate Glee.
Pierce: Eh, I’m not crazy about Glee either.
Jeff: I hate it. I don’t understand the appeal at all.